
German translation by Corinna Brocher
In March 1759, a convicted murderer fights for her life in a small village on the east coast of England. Sally Poppy is accused by her husband of murdering a girl with her lover. When her death sentence is announced, she claims to be pregnant — in which case the execution would have to be suspended. Twelve women from the village, who have already given birth to at least one child, are appointed as a “matron jury” to determine or rule out the pregnancy. In a legal system that is alien and hostile to them, the women reluctantly and involuntarily search for the truth, while a mob rages outside that wants to see Sally Poppy hang.
Another event concerns the villagers: the appearance of a bright comet approaching Earth at intervals of 74 to 79 years. All eyes turn to the sky in anticipation – and away from the female body, which is the site of investigation and a battlefield between right and wrong. British playwright Lucy Kirkwood has written a compelling, precise court drama for an almost exclusively female ensemble. Her historical plot is scattered with current references, connecting the two periods. "It is about how democracy works, what it means to cast a vote, and how to gain agency within existing structures" (Lucy Kirkwood).
In March 1759, a convicted murderer fights for her life in a small village on the east coast of England. Sally Poppy is accused by her husband of murdering a girl with her lover. When her death sentence is announced, she claims to be pregnant — in which case the execution would have to be suspended. Twelve women from the village, who have already given birth to at least one child, are appointed as a “matron jury” to determine or rule out the pregnancy. In a legal system that is alien and hostile to them, the women reluctantly and involuntarily search for the truth, while a mob rages outside that wants to see Sally Poppy hang.
Another event concerns the villagers: the appearance of a bright comet approaching Earth at intervals of 74 to 79 years. All eyes turn to the sky in anticipation – and away from the female body, which is the site of investigation and a battlefield between right and wrong. British playwright Lucy Kirkwood has written a compelling, precise court drama for an almost exclusively female ensemble. Her historical plot is scattered with current references, connecting the two periods. "It is about how democracy works, what it means to cast a vote, and how to gain agency within existing structures" (Lucy Kirkwood).
Director Jette Steckel
Stage Florian Lösche
Costumes Andrea Schraad
Music Mark Badur
Choreography Dominika Knapik
Dramaturgy Anika Steinhoff
Lighting Matthias Vogel
Choir Direction Benedikt Reidenbach
Bonnet electronics Johann Wucherpfennig
German premiere
12 November 2022
Deutsches Theater
Duration: 2 hours 35 minutes, no intermission
12 November 2022
Deutsches Theater
Duration: 2 hours 35 minutes, no intermission
Kathleen MorgeneyerSally Poppy, the murderer

Maren EggertElizabeth Luke, the midwife

Leila AbdullahJudith Bewer, the jury of mothers

Lena BrücknerPeg Carter, the jury of mothers

Karin NeuhäuserCharlotte Cary, the jury of mothers

Elli TreptowKitty Givens, die jury of mothers

Almut ZilcherSarah Hollis, the jury of mothers

Birgit UnterwegerEmma Jenkins, the jury of mothers

Linda PöppelAnn Lavender, the jury of mothers

Anja SchneiderHelen Ludlow, the jury of mothers

Birte SchnöinkMary Middleton, the jury of mothers

Dominika KnapikHannah Rusted, the jury of mothers

Ursula WernerSarah Smith, the jury of mothers

Manuel HarderMr. Coombs, Bailiff

Enno TrebsFrederick Poppy, the husband / Mr. Willis, the doctor

Livia Mello Wagner, Ylvie WolffKaty Luke, daughter of the midwife
Sally Poppy, the murderer
Elizabeth Luke, the midwife
Judith Bewer, the jury of mothers
Peg Carter, the jury of mothers
Charlotte Cary, the jury of mothers
Kitty Givens, die jury of mothers
Sarah Hollis, the jury of mothers
Emma Jenkins, the jury of mothers
Ann Lavender, the jury of mothers
Helen Ludlow, the jury of mothers
Mary Middleton, the jury of mothers
Hannah Rusted, the jury of mothers
Sarah Smith, the jury of mothers
Mr. Coombs, Bailiff
Frederick Poppy, the husband / Mr. Willis, the doctor
Livia Mello Wagner, Ylvie Wolff
Katy Luke, daughter of the midwife
For the last time
With English surtitles
20. June 2023 19.30 - 22.05
Tickets
Tickets & prices
Price | Regular |
---|---|
Preisgruppe 1 | 48,00 EUR |
Preisgruppe 2 | 39,00 EUR |
Preisgruppe 3 | 30,00 EUR |
Preisgruppe 4 | 21,00 EUR |
Preisgruppe 5 | 12,00 EUR |
Preisgruppe 6 | 5,00 EUR |
Tickets for pupils and students: DT/Kammerspiele 9 €; Box/Saal 8 or 6 €
What's on
Blue Wednesday - all tickets for 12 euros
With English surtitles
Forever Yin Forever Young
A Funny van Dannen Evening
Director: Tom Kühnel and Jürgen Kuttner
Follow-up discussion with the Catholic Academy – Saal
Kammerspiele
19.00 - 21.40
sold out
perh. remaining tickets at evening box office
perh. remaining tickets at evening box office
Blue Wednesday - all tickets for 12 euros
For the last time
With English surtitles
Director: Timofej Kuljabin
Deutsches Theater
19.30 - 21.55
19.00 Introduction – Saal
Director: Friederike Drews
Room 315 – Meeting point main entrance
20.00 - 21.00
sold out
perh. remaining tickets at evening box office
perh. remaining tickets at evening box office
Popsalon: Andreas Borcholte (Spiegel), Silvia Silko (Tagesspiegel), Sebastian Zabel (Rolling Stone)
Balzer and Müller invite
Bar
21.30
sold out
perh. remaining tickets at evening box office
perh. remaining tickets at evening box office